From TAINO-L@MAELSTROM.STJOHNS.EDU Mon Sep 25 11:22:39 2000
Date: Mon, 25 Sep 2000 00:36:03 -0400
Sender: Taino-L Taino interest forum <TAINO-L@MAELSTROM.STJOHNS.EDU>
Subject: TAINO-L Digest - 21 Sep 2000 to 24 Sep 2000 (#2000-173)
To: Recipients of TAINO-L digests <TAINO-L@MAELSTROM.STJOHNS.EDU>
Date: Sun, 24 Sep 2000 08:47:02 -0400
From: Director Public Relations <public-relations@TAINO-TRIBE.ORG>
Subject: Native American Culture Property: Peruvian Artifacts Returned To Peru
The illicit trade in art and cultural artifacts has increased dramatically in recent years, including pillaging archeological sites and illegally exporting objects protected by international laws. Here's an FBI investigation that involves both areas.
The story actually began back in 1987 in northern Peru, where the
ruins of the Moche (pronounced mo-chay) civilization, which flourished
from about 100 B.C. to 700 A.D., were being studied by
archeologists. Unfortunately, thieves broke into the royal tomb of the
Lord of Sipan, getting away with unbelievable treasures. (In terms of
its archeological importance, the tomb of the Lord of Sipan is often
compared to the more well-known King Tutankhaman's tomb in
Egyptit's even referred to as the
King Tut of the New
One of the most valuable artifacts stolen from the royal tomb in Sipan was an extremely rare Moche backflap, part of the royal costuming worn by elite members of the Moche civilization. A backflap weighs about 2.5 pounds and is made of gold, copper, and silver. Moche warrior-priests would wear the backflap as armor during battle to shield their backsides.
This particular backflap, however, could not protect itself from the unscrupulous grip of thieves when it was taken from its resting place in the royal tomb.
Ten years later, in August 1997, black market smugglers Denis Garcia and Orlando Mendez, both of Miami, were looking for a buyer for a rare Peruvian artifact - a gold backflap. Garcia contacted an art brokerage firm in New York to see if he could arrange a sale. But, unbeknownst to him, the company was part of an FBI undercover operation targeting art theft, and he was referred to undercover FBI Agent who posed as an art broker.
The undercover agent contacted Garcia, who described the item for sale and recounted the story of his association with the backflap. Garcia claimed that the artifact was acquired by a former President of Peru during one of his visits to the Sipan region. After leaving office, the President gave the artifact to an unclewho was willing to sell it to Garcia.
The agent wanted proof of Garcia's claim and instructed him to send photos of the backflap. Garcia did as he was toldhis package contained a number of photos of the backflap, along with two editions of a National Geographic magazine which had a story about the backflap's origins. Feeling sure he had a buyer, Garcia added his selling pricea cool $1.6 million.
Garcia gave the
art broker a few days to contemplate the offer
before calling him back and arranging a face-to-face meeting. This
meeting took place on September 5, 1997, at a rest stop. Garcia
brought his partner Orlando Mendez with himhe claimed Mendez was
his son-in-law who spoke much better English and knew more about
art. The undercover agent brought along someone too, another FBI
Special Agent, whom he introduced as his assistant who spoke Spanish
very well, so they could do business without any complications.
Garcia, who didn't have the backflap with him, said it was enroute
to New York from Peru and he had to make arrangements with his contact
Frank, an employee of the Panamanian Consulate in New York. A
deal was made to contact the agent when it was ready for delivery.
So, while Garcia and Mendez made their arrangements, the FBI agents were making their own arrangements: how the takedown would be executed when the appropriate time came.
Nearly four weeks later, on October 2nd, Mendez called the agent to say the backflap was in New York and they were ready to do business. He first instructed the agent to get a cashier's check for $60,000 as a down payment in the name of Francisco Iglesias, but then quickly changed his mind and said to write the check out to the Mid Steel Corporation. They arranged to meet on October 7th at the same rest stop.
The FBI agents arrived first. Then, a black limo bearing diplomatic
tags pulled up - it was Garcia, Mendez, and
Frank, aka Francisco
Iglesias, who introduced himself as Consul General of Panama and
presented his business card. Garcia got the backflap out of the trunk
of the car. The agent told the group he wanted an art expert to
authenticate the item.
Upon reaching their destination, the FBI agents pulled into a hotel
parking lot. Garcia opened the trunk again, revealing the artifact. At
that point, several FBI agents and detectives from a local police
department surrounded the group and arrested the trio. Consul General
Iglesias was released. He returned to New York, then went on a
vacation to Panama and has never returned.
Garcia and Mendez were charged withand eventually pled guilty toconspiracy, interstate transportation of stolen property, and smuggling. In June 1998, Francisco Iglesias was indicted on the same charges by a federal grand juryhe allegedly conspired to smuggle the backflap using his diplomatic status as a way to sidestep U.S. Customs on entering the U.S. Iglesias is still a fugitive believed to be in Panama.
And what of the much sought-after backflap? In July 1998, it was turned over to the grateful Peruvian Government in an official ceremony. It was placed in an archeological museum for a special 30-day exhibit approved by the President of Peru. It's now back in Peru, where it will hopefully rest safely for the next 2,000 years